mermaids would have to be dark-skinned and chubby to survive in the ocean
water isnt a great means of protecting oneself from the sun theyd have to be very dark if they were shallow mermaids and they didnt want to be constantly sunburnt and they may be paler if they lived deeper in the water but theyd have to be buff and/or chubby as hell to resist the water pressure and cold of the deep sea
what im saying is pale-ass white skinny mermaids are just unrealistic
The time when Harry and Malfoy are surprisingly domestic; And Ron nearly cannot process that :
Ron would never believe what he was seeing before his eyes.
Malfoy lived in a studio flat now, Harry had said. They had buried their old rivalry now, Harry had said. Harry was quite taken up with the blond ferret git now, he had said.
What Ron expected though, was certainly not this.
Upon stepping out of the floo into the living room, Hermione in tow, Ron’s brows began to furrow in confusion. The sight which welcomed him was a large, spacey room with sparsely furniture covering its white marble floor. The fireplace behind him cackles loudly, illuminating the huge wooden table in the middle of the room etched with meticulously designed carvings. The room was dimly lit otherwise, an open kitchen to the corner of the flat and paintings decorating the ivory coloured walls, family heirlooms floating along a corridor leading to a door which could only be the bathroom. At a side, a sofa with golden trimmings sat.
When Harry said studio flat, Ron did not expect this large, posh room with space enough to host a party. But of course, he wouldn’t expect less with Malfoy. If Malfoy was to live in a studio flat, it would be a mansion studio.
But what Ron really didn’t expect, was the sight before him. On the bed. An odd feeling welled up within Ron, as he felt his chest had ceased working to take breaths in. He felt like he was intruding into a fantasy bubble.
Because before him, Malfoy was perched in the middle a king size bed which was placed several feet off the ground on a small platform, half lying against the wall behind him. With one hand, he was flipping a book casually held in it, and the other hand…was currently wrapped protectively around the figure basically on top on him.
Ron could recognize that nest of messy dark hair anywhere, having known his best friend for a decade and said best friend’s profile always plastered on posters. What he could not begin to process, was that Harry was currently lying face down, sprawled across Malfoy, snoring softly. His face was buried deep against Malfoy’s collar bone, arms loosely clutching the body under him, in his, apparently, deep slumber. Malfoy’s chin was resting gently atop Harry’s head, eyes peering down at his book in concentration. A comfortable-looking duvet was thrown across both of their bodies, covering Harry waist down. Malfoy’s arms were left out.
What slightly unnerved Ron was, the both of them looked so cozy that it seemed like they had resumed the same position for the millionth time. Ron has no idea that this was the definition of “taken up”.
Hearing commotion, Malfoy eventually lifted his head up from his literature. He blinked at the couple before him for a moment, sighed, but not unkindly, then shifted.
To Ron’s slight horror, the ferret shut his book after marking his place in it, throwing it to a side, then used his now free hand to…begin slipping it into the head of dark hair resting on his chest. His fingers moved smoothly, tangling in the messiness. Ron looked on as Malfoy slowly caressed and massaged the scalp.
Then Malfoy began speaking, in the most gentle tone Ron had heard the git used that lacked every ounce of bitterness that he was familiar with. “Love, get up. They’re here.”
Gradually, the still figure on him began to stir. Clinging to Malfoy yet, he reached up to rub a fist into his eyes. Harry was not wearing his glasses, Ron noticed. Malfoy smiled down at him affectionately, a smile so secretive that Ron was not sure that he should be allowed to watch. Uneasiness in him remained, he watched on. Malfoy thumbed away a strand of hair which was blocking Harry’s face, cupping the cheeks in a light grasp and pressed a kiss to the scarred forehead, rousing his lover to wakefulness. Ron inhaled sharply.
Harry made a noise of confusion, but got up from his spot previously basically stuck to Malfoy. He staggered up, stepping down from the platform of the bed, which made him stand taller than Malfoy’s sitting form. A side of his face was red with imprints from being pressed to Malfoy’s shirt. Malfoy looked up at him with an almost fond, open expression on his face, soft smile still lingering. They started a what seemed like silent conversation with glances, or so Ron assumed, before Harry pointed a thumb towards the corridor. Malfoy nodded. “Go, shoo,” He said, waving a hand.
Then he turned to Ron and Hermione, acknowledging them for the first time since they got into the flat. “Sorry about that,” He said, with no intention of moving from the bed, “Poor one was working himself exhausted from doing overtime the whole week. He thought he could stay awake. I bet he can’t.” He gave a polite but slightly smug grin to Ron, and Ron suddenly found everything surreal.
/* /* /*
“Aww,” Hermione whispered beside him while they all wait for Harry to come out of the bathroom, “Aren’t they so cute?”
“Yeah,” Ron found himself agreeing, his voice faint to his own ears, “Which is exactly the issue here. What the hell was that?”
this is an old drawing i really loved ;u; and you know i had to add long hair to make it pre-reform spock with some face tattoos thank you and goodnight
Should a crown prince character learn how to fight? On one hand, learning to fight could be seen as ‘we expect the crown prince to be put in a situation where he would need to fight’ which would mean his guards have failed. On the other hand, learning to use weapons could be treated more like a sport to build dedication, endurance, confidence, etc. Then again, I’ve seen references to princes fighting in history so I’m not sure how this should be handled/explained if I want a fighting prince.
Depends.
The only rule for the conqueror throughout most of history is you can have it if you can take it, and it’s only yours if you can hold onto it. The idea of kings and princes being insulated from combat is one which we come out of England at the end of Henry VIIIs reign and into the Elizabethan era, but it’s worth remembering that Henry VII took the crown by force. The word Normans comes from Northmen, and the original province of Normandy in France was given over to raiding Vikings led by a man called Rollo by the Frankish king under the agreement that they would protect the Frankish coast from other invaders. Many a king, prince, and nobleman has been created by simply having the biggest and baddest raiding force. In the Middle Ages, the king was expected to lead his forces into battle.
You know Richard III from Shakespeare’s eponymous play? The real one was killed on the battlefield by Henry VII, Elizabeth I’s grandfather at the end of the War of the Roses.
William the Conqueror, Henry II, Richard the Lionheart, Henry V, Edward the Black Prince, Empress Maude, Alexander the Great, Genghis Khan, Owain Fawr, Llewellyn the Great, Robert the Bruce, Edward IV, Richard III, Henry VII, and the list goes on.
You don’t have to justify it. History supports the conqueror prince and the conqueror king, and situations where the prince had to be able to fight because he was expected to lead his men into battle. If he couldn’t then someone else, a brother, a cousin, another nobleman, or even some nobody could swoop in and take the crown from him. You’ll find history is littered with instances like this.
So, here’s the real question: what kind of crown prince and setting are you imagining?
Is this the Fairy Tale Crown Prince? For all his trappings, the fictional fairy tale Crown Prince is post Treaty of Westphalia in 1648. He carries the aesthetics, but he’s not based on the warrior princes of Medieval Europe. This is the beginning of the modern era. When most people think about monarchies in terms of fairy tales, they’re essentially imagining Catherine the Great’s Russia without the guns. These are codified nations with standing militaries and treaties, which only go to war with each other frequently instead of constantly. Where the Crown Prince would be educated in the ways of the military, even be expected to serve in a ceremonial role, but never sets foot on the battlefield’s front lines. Similarly, this is also when the local nobility starts transitioning from warlords you need to appease to general rich dudes whose ancestors were great at killing people that you still need to appease.
The above is the Crown Prince you seem to be imagining.
Outside the Merchant Prince, who controls his kingdom through trade, the warrior Crown Prince is an auxiliary commander under his father or, in cases where the king is weak, the true commander of his countries forces. He’ll be landed in his own right as an earl or a duke with a province to rule over, his own vassals, lordlings, and young knights who strive to be in his service. He’s surrounded by followers and advisors with his own household and a vassal to his father, the king. He’s unlikely to be just sitting around spinning his heels until he takes the throne, unless he’s got a father who is very controlling about what powers he has access to.
This Crown Prince may seem appealing, but the world he exists in is cutthroat, rough and tumble. There’s none of the stability provided by the Treaty of Westphalia, which is the unnamed factor seen in modern fairy tale kingdoms. The chances of him fighting to keep his crown or simply fighting on the battlefield at some point in his life is a certainty rather than a maybe. He has to know how to fight and he has to be damn good at it or else it will end badly for him. This includes if he’s living in a world under the medieval warfare rules where there’s the possibility ransom. Kings, princes, warlords, and leaders are always priority targets on the battlefield. Everyone wants to kill or capture them because that ends the battle/raid/war.
They’re not just rich guys, they’re expected to be leaders of men. If they can’t do that, and they’re not supported by excellent nobles then they lose the crown, lose their land, or lose their empire. As has happened with many an unfortunate prince throughout history.
Even if you’re going for the type of Crown Prince seen in fiction and post-Westphalia, military service is often considered traditional and is expected. A modern example is our current British royal family, many of them have served in the British military in some capacity whether they saw combat or not; this includes Elizabeth II.
However, the question of whether your character should learn to fight or not is heavily dependent on the kind of setting they live in and the social expectations their role places them under. The legacy of his family, the number of generations they’ve held onto their throne. Then, there’s the question of who he is versus who he expects to be, the boy versus the prince and the man versus the king. He might be expected to be good at fighting, but he might not want to be. Is it necessary for him to be a skilled combatant? Or can he rule without the need for those skills? Does he want to be good at fighting? Does he enjoy it?
These are the sorts of questions that only you, the author can answer. The situation, the politics, and the world your character live in all affect the role he has inherited.
So, start sorting out that world. Pick a period in history where princes fought. Learn everything you can about that time period, and why they behaved the way they did.
Do you want an athletic prince? Do you want a warrior prince? Or both? Both are fine. Does your prince live in a war time or a peace time? Which of the two does he long for? Quiet or conquest? If he isn’t bound to a parliament or some other body of government his nobles use to control him then he has the power and resources to make either happen.
So this is really awesome! These are Disney princesses reimagined as disabled and drawn with service dogs. The artist, Arien Smith, drew these in 2017, but they have become viral only recently. Arien features all types of dogs in his portrayals as a way to educate about disabilities and service animals. He also does other dog related art. Arien can be found on Facebook under Royal Service Dogs or the major barkana. His website is https://themajorbarkana.com .Hopefully more artists, or, you know, actual major film/tv/book creators begin to incorporate disabilities and service animals rather than pretending like they don’t exist (but that’s a different rant for a different day, 🙃).
Image descriptions: Disney princesses Cinderella, rapunzelle, tiana, sleeping beauty, belle, Snow White, and Pocahontas featured with various disabilities and service dogs of various breeds assisting them in daily lives. The last image in of a Facebook post that features the same pictures, but as line drawings, so they can be colored in.